
John Waters on ‘Saló,’ a ‘Beautiful Movie Against Fascism,’ and His Pilgrimage to Pasolini’s Murder Site
Only John Waters could pull off emceeing a New York Film Festival double feature of Gaspar Noé’s abrasive acid trip “Climax” and Pier Paolo Pasolini’s harrowing art-meets-exploitation, anti-fascist epic “Saló, or the 120 Days of Sodom” — and at a pop-up …